{"title":"Vintage Catalogues","description":"\u003cp\u003eExhibition history and monographs.\u003c\/p\u003e","products":[{"product_id":"michael-renninger","title":"MICHAEL RENNINGER","description":"\u003cp data-start=\"23\" data-end=\"47\"\u003eA small winter vignette.\u003c\/p\u003e\n\u003cp data-start=\"49\" data-end=\"322\"\u003eMichael Renninger moves through fields, kitchens, studio corners, and the quiet geometry of rural houses. Snow thins, light tilts, and interiors hold a recently departed presence. A chair seems to remember someone who has just stood up, or perhaps only considered doing so.\u003c\/p\u003e\n\u003cp data-start=\"324\" data-end=\"549\"\u003eNothing insists. Nothing performs. The images remain provincial in the best sense, attentive to baskets, windows, and the modest arrangements that structure a day. Restraint becomes atmosphere, almost musical in its patience.\u003c\/p\u003e\n\u003cp data-start=\"551\" data-end=\"594\"\u003eA quiet, Schubert-like book of observation.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52505063391560,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/SnapInsta.to_631930463_17858886960604293_7991158080066998741_n.webp?v=1771505288"},{"product_id":"malerei","title":"MALEREI","description":"\u003cp data-start=\"90\" data-end=\"220\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"124\" data-end=\"144\"\u003eArt is a wild horse.\u003c\/p\u003e\n\u003cp data-start=\"146\" data-end=\"410\"\u003eIf Minnich is avant-garde, exploring the border between colour and object, then it is a slightly tedious avant-garde. But this is not to his detriment. As we know from Pessoa, tediousness can take us to some strange places, and this candy of a book makes the case.\u003c\/p\u003e\n\u003cp data-start=\"412\" data-end=\"643\"\u003eMinnich’s painting, neither hyper-intellectual nor market-heavy, is beautifully provincial. Rooted, stubborn, unconcerned with proving anything. And that is precisely how it ends up proving something, by the most unexpected routes.\u003c\/p\u003e\n\u003cp data-start=\"645\" data-end=\"943\"\u003eThrough the wonder of the photographs – ridiculous ones too (a stork, tit mountains...) – that punctuate his psychedelically pretty painting slates, a strange force begins to rise and pour out. There is a blend of cliché restraint and non-sequitur directness. Nothing asks for your permission here.\u003c\/p\u003e\n\u003cp data-start=\"945\" data-end=\"1020\"\u003eThe effect is something like \"A Man Whose Teeth Were All Exactly the Same\".\u003c\/p\u003e\n\u003cp data-start=\"1022\" data-end=\"1035\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1042\" data-end=\"1075\"\u003e\u003cstrong data-start=\"1042\" data-end=\"1075\"\u003eMore on Colour Field Painting\u003cbr\u003e\u003c\/strong\u003eDiscover publications related to colour field painting and its contemporary developments in our catalogue.\u003c\/p\u003e\n\u003cp data-start=\"1190\" data-end=\"1208\"\u003e\u003cstrong data-start=\"1190\" data-end=\"1208\"\u003eRelated titles\u003cbr\u003e\u003c\/strong\u003eExplore related artist books and experimental publications in our catalogue.\u003c\/p\u003e\n\u003cp data-start=\"1293\" data-end=\"1303\"\u003e\u003cstrong data-start=\"1293\" data-end=\"1303\"\u003eArtist\u003cbr\u003e\u003c\/strong\u003eBernd Minnich\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52505063522632,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/SnapInsta.to_619890636_17854952589604293_8274022976407193699_n.webp?v=1771505290"},{"product_id":"gemini-impari-die-monumentalitat-der-kleinen-form","title":"GEMINI IMPARI – DIE MONUMENTALITÄT DER KLEINEN FORM","description":"\u003cp data-start=\"209\" data-end=\"313\"\u003eA publication documenting Fried Rosenstock’s long investigation into paired forms and minimal deviation.\u003c\/p\u003e\n\u003cp data-start=\"315\" data-end=\"664\"\u003eAcross decades and materials, including wood, iron, straw, polyurethane and plexiglass, Rosenstock repeatedly returns to unequal twins. Near identical objects release meaning slowly over time. What appears minor accumulates density and presence, approaching a quiet monumentality. The work unfolds patiently and allows modest scales to carry weight.\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"816\"\u003eThis copy includes an original institutional recommendation slip loosely inserted in the book. An administrative trace and intimate marker of passage.\u003c\/p\u003e\n\u003cp data-start=\"818\" data-end=\"943\"\u003eResonates with post minimal and object based conceptual practices, where repetition produces difference rather than sameness.\u003cbr\u003e\u003cbr data-start=\"979\" data-end=\"982\"\u003ePublisher: Museum Künstlerkolonie Darmstadt\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1101\" data-end=\"1153\"\u003eA patient book about scale, difference and duration.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52505063620936,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/SnapInsta.to_618828276_17854394169604293_8451612111511046131_n_1.webp?v=1771505293"},{"product_id":"after-inspired-by-an-atlas-of-leprosy","title":"AFTER INSPIRED BY AN ATLAS OF LEPROSY","description":"\u003cp data-start=\"372\" data-end=\"556\"\u003ePublished by Galerie Buchholz on the occasion of two exhibitions by Lucy McKenzie – one at the gallery’s Berlin space and the other in New York. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"558\" data-end=\"827\"\u003eThe book takes the form of an inventory from an imagined estate sale. Objects appear one by one, each accompanied by invented provenances and sources, producing a narrative that moves between documentation, fiction and catalogue. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"829\" data-end=\"1136\"\u003eThe project relates to McKenzie’s exhibition “Inspired by an Atlas of Leprosy”, where the artist transformed the gallery interior into a simulated apartment-office environment populated by trompe-l’œil surfaces, faux marble, painted furniture and illusionistic décor. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1138\" data-end=\"1406\"\u003eThrough these devices McKenzie explores questions of appropriation, colonisation and authorship – themes that recur throughout her work and that here unfold through the language of interiors, display and archival reconstruction.\u003c\/p\u003e\n\u003cp data-start=\"1138\" data-end=\"1406\"\u003e\u003cbr\u003eLucy McKenzie\u003cbr data-start=\"257\" data-end=\"260\"\u003e“After Inspired by an Atlas of Leprosy”\u003c\/p\u003e\n\u003cp data-start=\"301\" data-end=\"370\"\u003e2016, 42 pages, Owrps, fully illustrated, 27 × 21 cm\u003cbr data-start=\"353\" data-end=\"356\"\u003eEdition of 800\u003c\/p\u003e\n\u003chr data-start=\"1408\" data-end=\"1411\"\u003e\n\u003cp data-start=\"1413\" data-end=\"1430\"\u003e\u003cstrong\u003e\u003cbr\u003eFurther watching\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.contemporaryartlibrary.org\/project\/lucy-mckenzie-at-galerie-buchholz-berlin-9452\"\u003ean exhibition page\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1526\" data-end=\"1580\"\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/artreview.com\/jan-feb-2016-review-lucy-mckenzie\/\"\u003ean exhibition review\u003c\/a\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52676759847240,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-03-15_14-10-42_b0fb0c3d-abd6-4f70-ac10-11de1cf3b14b.jpg?v=1773679268"},{"product_id":"f-r-david-winter-2008","title":"F.R. DAVID | Winter 2008","description":"\u003cp data-start=\"120\" data-end=\"312\"\u003eThis issue revolves around writing within art. Against the pressure to communicate clearly, it brings together texts and images that remain open, dense, and at times deliberately inaccessible.\u003c\/p\u003e\n\u003cp data-start=\"314\" data-end=\"658\"\u003eContributions include a key essay by Matias Faldbakken on writing as practice, a manifesto by Jonathan Meese, and a study by Margriet Schavemaker linking artists such as Smithson, Bochner and Broodthaers to Foucault and Rancière. Also featured are a typographic “message in a bottle” by Paul Sietsema and unpublished letters by James Lee Byars.\u003c\/p\u003e\n\u003cp data-start=\"660\" data-end=\"719\"\u003eA precise and layered issue on language as material in art.\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52708489003336,"sku":null,"price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/ChatGPT_Image_19._Marz_2026_14_01_36.png?v=1773925334"},{"product_id":"f-r-david-spring-2009","title":"F.R. DAVID | Spring 2009","description":"\u003cp data-end=\"93\" data-start=\"66\"\u003e\u003cstrong data-end=\"93\" data-start=\"66\"\u003eF.R. DAVID. Spring 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"238\" data-start=\"95\"\u003eAn issue dedicated to writing within contemporary art. F.R. DAVID treats text as material, as method, and as a parallel practice to the visual.\u003c\/p\u003e\n\u003cp data-end=\"391\" data-start=\"240\"\u003e\u003cem data-end=\"261\" data-start=\"240\"\u003eKeep it to Yourself\u003c\/em\u003e brings together artists and thinkers working with language across formats, from reflection to fiction, from commentary to script.\u003c\/p\u003e\n\u003cp data-end=\"717\" data-start=\"393\"\u003eWith contributions by Agency, Jesse Ash, Pierre Bal-Blanc, Pierre Bismuth \u0026amp; Claire Fontaine, Italo Calvino, Dexter Sinister, \u003ca href=\"https:\/\/networkcultures.org\/geertlovink-archive\/interviews\/interview-with-kodwo-eshun\/\" target=\"_blank\" rel=\"noopener\"\u003eKodwo Eshun\u003c\/a\u003e, Jos de Gruyter \u0026amp; Harald Thys, Hadley \u0026amp; Maxwell, Christine Kenneally, Maurice Merleau-Ponty and others.\u003cbr data-end=\"636\" data-start=\"633\"\u003e\u003ca class=\"decorated-link cursor-pointer\" rel=\"noopener\" data-end=\"717\" data-start=\"636\"\u003e\u003cspan class=\"ms-0.5 inline-block align-middle leading-none\" aria-hidden=\"true\"\u003e\u003csvg class=\"block h-[0.75em] w-[0.75em] stroke-current stroke-[0.75]\" data-rtl-flip=\"\" aria-hidden=\"true\" height=\"20\" width=\"20\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003cuse fill=\"currentColor\" href=\"\/cdn\/assets\/sprites-core-gmavja41.svg#304883\"\u003e\u003c\/use\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-end=\"775\" data-start=\"719\"\u003ePublisher: De Appel\u003cbr data-end=\"741\" data-start=\"738\"\u003eISSN: 1874-026X\u003cbr data-end=\"759\" data-start=\"756\"\u003eMedium: Magazine\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52708642357576,"sku":null,"price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-03-19_11-02-27.jpg?v=1773914937"},{"product_id":"cafe-lehmitz","title":"CAFÉ LEHMITZ","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-end=\"214\" data-start=\"169\"\u003eA book that does not observe from a distance.\u003c\/p\u003e\n\u003cp data-end=\"369\" data-start=\"216\"\u003eBetween 1967 and 1970, Anders Petersen photographed the night bar \u003cem data-end=\"296\" data-start=\"282\"\u003eCafé Lehmitz\u003c\/em\u003e on Hamburg’s Reeperbahn.\u003cbr data-end=\"324\" data-start=\"321\"\u003e\u003cbr\u003eGrain, flash, blur: the images hold a raw immediacy, where intimacy and exposure coincide.\u003cbr data-end=\"673\" data-start=\"670\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong data-end=\"872\" data-start=\"846\"\u003eEinleitung (Tom Waits)\u003c\/strong\u003e\u003cbr data-end=\"875\" data-start=\"872\"\u003e„Diese Bilder haben den Geruch von Bier, Rauch und Müdigkeit. Man hört das Klirren der Gläser und das Murmeln der Stimmen – als wäre man selbst dort, mitten in der Nacht.“\u003cbr\u003e\u003c\/p\u003e\n\u003chr data-end=\"823\" data-start=\"820\"\u003e\n\u003cp data-end=\"836\" data-start=\"825\"\u003e\u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2016\/dec\/21\/anders-petersen-photographer-cafe-lehmitz-hamburg\"\u003eThe Guardian's article\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-end=\"1000\" data-start=\"838\"\u003eSchirmer Mosel, 2022 (1st edition) \u003cbr\u003e86 pages, 22.3 × 25 cm \u003cbr\u003eISBN 978-3829609593\u003cstrong data-end=\"836\" data-start=\"825\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52722578391368,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-03-20_22-03-42.jpg?v=1774040684"},{"product_id":"puppen-bestimmungsbuch","title":"PUPPEN BESTIMMUNGSBUCH","description":"\u003cp data-start=\"182\" data-end=\"232\"\u003e\u003cstrong data-start=\"182\" data-end=\"202\"\u003eDescription (EN)\u003c\/strong\u003e\u003cbr data-start=\"202\" data-end=\"205\"\u003eA tool disguised as a book.\u003c\/p\u003e\n\u003cp data-start=\"234\" data-end=\"376\"\u003eMarks, numbers, imprints – the small inscriptions that carry the life of objects.\u003cbr data-start=\"315\" data-end=\"318\"\u003eThis volume gathers them, orders them, makes them legible.\u003c\/p\u003e\n\u003cp data-start=\"378\" data-end=\"525\"\u003eMore than 2,000 entries: manufacturers, series numbers, dates, fragments of description.\u003cbr data-start=\"466\" data-end=\"469\"\u003eA system through which anonymous objects begin to speak.\u003c\/p\u003e\n\u003cp data-start=\"527\" data-end=\"661\"\u003eWhat appears at first as a collector’s manual unfolds as something else:\u003cbr data-start=\"599\" data-end=\"602\"\u003ea quiet archaeology of production, circulation, and memory.\u003c\/p\u003e\n\u003cp data-start=\"663\" data-end=\"722\"\u003eEach doll becomes an index.\u003cbr data-start=\"690\" data-end=\"693\"\u003eEach mark, a trace of origin.\u003c\/p\u003e\n\u003cp data-start=\"724\" data-end=\"791\"\u003eA reference work – and, in its own way, a catalogue of coded lives.\u003c\/p\u003e\n\u003chr data-start=\"793\" data-end=\"796\"\u003e\n\u003cp data-start=\"798\" data-end=\"1062\"\u003e\u003cstrong data-start=\"798\" data-end=\"823\"\u003eKurzbeschreibung (DE)\u003c\/strong\u003e\u003cbr data-start=\"823\" data-end=\"826\"\u003eEin Bestimmungsbuch für deutsche Puppen mit über 2.000 Marken, Seriennummern und Begriffen.\u003cbr data-start=\"917\" data-end=\"920\"\u003eZeit, Hersteller und Modell lassen sich unmittelbar zuordnen.\u003cbr data-start=\"981\" data-end=\"984\"\u003eEin unverzichtbares Werkzeug für Sammler – präzise, systematisch, erschöpfend.\u003c\/p\u003e\n\u003chr data-start=\"1064\" data-end=\"1067\"\u003e\n\u003cp data-start=\"1069\" data-end=\"1080\"\u003e\u003cstrong data-start=\"1069\" data-end=\"1080\"\u003eDetails\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e216 pages \u003cbr\u003eISBN 978-3921844212.\u003cbr\u003e3. Ausgabe (erweiterte Ausgabe)\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"80\" data-end=\"92\"\u003e\u003cstrong data-start=\"80\" data-end=\"92\"\u003eSee also\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"94\" data-end=\"293\"\u003e\u003ca href=\"https:\/\/www.publicbooks.org\/kingdom-of-dolls-sonneberg-germany\/\"\u003eSonneberg \u003c\/a\u003eas a former global hub of doll production reveals how even childhood was industrially manufactured, circulated, and staged.\u003c\/p\u003e\n\u003cp data-start=\"295\" data-end=\"499\"\u003eWorld War I disrupts the continuity of \u003ca href=\"https:\/\/www.dollkingdomus.com\/post\/german-dolls-and-world-war-i\"\u003eGerman doll production\u003c\/a\u003e, showing how history enters objects through material, scarcity, and rupture: \u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52725214052680,"sku":null,"price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/SnapInsta.to_615837803_17853389529604293_1134646900716525825_nddf.jpg?v=1774069515"},{"product_id":"exotik-als-banalitat","title":"EXOTIK ALS BANALITÄT","description":"\u003cp data-start=\"95\" data-end=\"141\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"143\" data-end=\"223\"\u003e\u003cstrong data-start=\"143\" data-end=\"163\"\u003eDescription (EN)\u003c\/strong\u003e\u003cbr data-start=\"163\" data-end=\"166\"\u003eExoticism, here, is not distant.\u003cbr data-start=\"198\" data-end=\"201\"\u003eIt is already at hand.\u003c\/p\u003e\n\u003cp data-start=\"225\" data-end=\"386\"\u003ePaul-Armand Gette turns the notion inside out: what is usually framed as “other” appears as repetition, surface, habit.\u003cbr data-start=\"344\" data-end=\"347\"\u003eThe exotic dissolves into the everyday.\u003c\/p\u003e\n\u003cp data-start=\"388\" data-end=\"488\"\u003eImage and text operate with restraint.\u003cbr data-start=\"426\" data-end=\"429\"\u003eNothing spectacular is asserted; instead, attention shifts.\u003c\/p\u003e\n\u003cp data-start=\"490\" data-end=\"599\"\u003eWhat emerges is a quiet displacement:\u003cbr data-start=\"527\" data-end=\"530\"\u003ethe foreign as something constructed, the banal as something charged.\u003c\/p\u003e\n\u003cp data-start=\"601\" data-end=\"646\"\u003eA small book that unsettles a large category.\u003c\/p\u003e\n\u003chr data-start=\"648\" data-end=\"651\"\u003e\n\u003cp data-start=\"653\" data-end=\"833\"\u003e\u003cstrong data-start=\"653\" data-end=\"678\"\u003eKurzbeschreibung (DE)\u003c\/strong\u003e\u003cbr data-start=\"678\" data-end=\"681\"\u003eDas Exotische erscheint hier nicht als Ferne, sondern als Wiederholung.\u003cbr data-start=\"752\" data-end=\"755\"\u003eGette verschiebt den Blick: Das Fremde wird alltäglich, das Alltägliche fremd.\u003c\/p\u003e\n\u003chr data-start=\"835\" data-end=\"838\"\u003e\n\u003cp data-start=\"840\" data-end=\"851\"\u003e\u003cstrong data-start=\"840\" data-end=\"851\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"853\" data-end=\"909\"\u003ePaul-Armand Gette, \u003cem data-start=\"872\" data-end=\"894\"\u003eExotik als Banalität\u003c\/em\u003e, Berlin, 1980.\u003c\/p\u003e\n\u003chr data-start=\"911\" data-end=\"914\"\u003e\n\u003cp data-start=\"916\" data-end=\"925\"\u003e\u003cstrong data-start=\"916\" data-end=\"925\"\u003ePrice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"927\" data-end=\"944\"\u003e€(set your price)\u003c\/p\u003e\n\u003chr data-start=\"946\" data-end=\"949\"\u003e\n\u003cp data-start=\"951\" data-end=\"963\"\u003e\u003cstrong data-start=\"951\" data-end=\"963\"\u003eSee also\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"965\" data-end=\"1161\"\u003e\u003ca href=\":%20https:\/\/www.tate.org.uk\/art\/art-terms\/e\/exoticism\"\u003eExoticism\u003c\/a\u003e as a constructed category within Western visual culture reveals how “the foreign” is produced through framing, repetition, and desire.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52725246493000,"sku":null,"price":6.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/exotik-als-banalitaet-de-l-exotisme-en-tant-que-banalite-1.jpg?v=1774069791"},{"product_id":"the-passive-vampire","title":"THE PASSIVE VAMPIRE","description":"\u003cp data-start=\"145\" data-end=\"1219\"\u003e\u003cstrong data-start=\"145\" data-end=\"165\"\u003eDescription (EN)\u003c\/strong\u003e\u003cbr data-start=\"165\" data-end=\"168\"\u003eFirst published in French in 1945 and written in the aftermath of the war, \u003cem data-start=\"243\" data-end=\"264\"\u003eThe Passive Vampire\u003c\/em\u003e is one of Ghérasim Luca’s central works, where surrealism is pushed toward a more intimate and unstable register. Born in Bucharest in 1913, Luca co-founded the Romanian Surrealist Group before moving to Paris in 1952, developing a practice that moved between poetry, performance, and visual thinking, often centred on repetition and what he called a “stammering” of language. The book itself unfolds as a hybrid text, combining prose poetry, personal fragments, erotic speculation, and conceptual play, circling around desire, identity, and the instability of the self. Rather than presenting a linear narrative, it accumulates pressure through recurrence and variation, allowing meaning to emerge indirectly. In this English edition by Twisted Spoon Press, the text remains strikingly immediate, offering access to a body of work that continues to influence contemporary poetry and theory, while remaining portable, intense, and quietly transformative.\u003c\/p\u003e\n\u003chr data-start=\"1221\" data-end=\"1224\"\u003e\n\u003cp data-start=\"1226\" data-end=\"1426\"\u003e\u003cstrong data-start=\"1226\" data-end=\"1263\"\u003eNote (Objectively Offered Object)\u003c\/strong\u003e\u003cbr data-start=\"1263\" data-end=\"1266\"\u003eAn object made while thinking of someone, carrying the giver’s hidden traits, offered not as a gift but as a shift in relation, to be read rather than received.\u003c\/p\u003e\n\u003chr data-start=\"1428\" data-end=\"1431\"\u003e\n\u003cp data-start=\"1433\" data-end=\"1647\"\u003e\u003cstrong data-start=\"1433\" data-end=\"1458\"\u003eKurzbeschreibung (DE)\u003c\/strong\u003e\u003cbr data-start=\"1458\" data-end=\"1461\"\u003eEin Schlüsseltext des surrealistischen Dichters Ghérasim Luca: eine hybride Form aus Prosa, Poesie und Spiel, in der Sprache ins Stocken gerät und Begehren als treibende Kraft erscheint.\u003c\/p\u003e\n\u003chr data-start=\"1649\" data-end=\"1652\"\u003e\n\u003cp data-start=\"1654\" data-end=\"1665\"\u003e\u003cstrong data-start=\"1654\" data-end=\"1665\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1667\" data-end=\"1790\"\u003eGhérasim Luca, \u003cem data-start=\"1682\" data-end=\"1703\"\u003eThe Passive Vampire\u003c\/em\u003e, Twisted Spoon Press, 2009, 140 pages, 17.02 × 20.07 cm, English, ISBN 978-8086264318.\u003c\/p\u003e\n\u003chr data-start=\"1792\" data-end=\"1795\"\u003e\n\u003cp data-start=\"1797\" data-end=\"1806\"\u003e\u003cstrong data-start=\"1797\" data-end=\"1806\"\u003ePrice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1808\" data-end=\"1825\"\u003e€(set your price)\u003c\/p\u003e\n\u003chr data-start=\"1827\" data-end=\"1830\"\u003e\n\u003cp data-start=\"1832\" data-end=\"1844\"\u003e\u003cstrong data-start=\"1832\" data-end=\"1844\"\u003eSee also\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eA \u003ca href=\"https:\/\/www.ubu.com\/sound\/luca.html\" target=\"_blank\" rel=\"noopener\"\u003erecording \u003c\/a\u003eof Ghérasim Luca reading his own texts reveals the stammering, breath-driven rhythm that underlies \u003cem data-start=\"1965\" data-end=\"1986\"\u003eThe Passive Vampire.\u003c\/em\u003e\u003cstrong data-start=\"1832\" data-end=\"1844\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1846\" data-end=\"2130\"\u003eLuca’s writing resonates with what Deleuze describes as \u003ca href=\"https:\/\/monoskop.org\/images\/8\/8f\/Deleuze_Gilles_Guattari_Felix_Kafka_Toward_a_Minor_Literature.pdf\" target=\"_blank\" rel=\"noopener\"\u003ea language pushed beyond fluency\u003c\/a\u003e into intensity, where expression begins to stammer and meaning accumulates through repetition.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52725331853640,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/scan0009.jpg?v=1774071173"},{"product_id":"atlas-europe-square","title":"ATLAS EUROPE SQUARE","description":"\u003cp data-start=\"179\" data-end=\"1068\"\u003e\u003cstrong data-start=\"179\" data-end=\"199\"\u003eDescription (EN)\u003c\/strong\u003e\u003cbr data-start=\"199\" data-end=\"202\"\u003eA long-term artistic project that asks a deceptively simple question: where is Europe. Since 2003, Yves Mettler has been photographing and mapping “Europe Squares” across the continent – public spaces named after an idea that remains unstable, contested, and unevenly realised. The book gathers this material into a dispersed atlas, where each square appears as a fragment of a larger, imagined site, a “superspace” that connects cities while revealing their differences. Architecture, signage, layout, atmosphere – each location stages Europe in its own way, as promise, projection, or residue. What emerges is not a unified image but a field of discrepancies, where political imagination meets local reality. The atlas becomes a way of reading Europe through its margins, its repetitions, and its failed attempts at coherence. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-start=\"1070\" data-end=\"1073\"\u003e\n\u003cp data-start=\"1075\" data-end=\"1086\"\u003e\u003cstrong data-start=\"1075\" data-end=\"1086\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1088\" data-end=\"1217\"\u003eYves Mettler, \u003cem data-start=\"1102\" data-end=\"1123\"\u003eAtlas Europe Square\u003c\/em\u003e, Urbanomic, 2021, 208 pages, 362 colour images, 22.9 × 33 cm, paperback, ISBN 978-1913029531.\u003c\/p\u003e\n\u003cp data-start=\"1259\" data-end=\"1271\"\u003e\u003cstrong data-start=\"1259\" data-end=\"1271\"\u003eSee also\u003cbr\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/vimeo.com\/162384275?fl=pl\u0026amp;fe=cm\" target=\"_blank\" rel=\"noopener\"\u003eA video\u003c\/a\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52725366784328,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/SnapInsta.to_615675206_17853389562604293_15079748801018829_n.webp?v=1774071580"},{"product_id":"una-piscina-geopolitica","title":"UNA PISCINA GEOPOLÍTICA","description":"\u003cp data-start=\"183\" data-end=\"715\"\u003e\u003cstrong data-start=\"183\" data-end=\"203\"\u003eDescription (EN)\u003c\/strong\u003e\u003cbr data-start=\"203\" data-end=\"206\"\u003eA pool is never just a pool. It is a measure of land, of desire, of extraction. \u003cem data-start=\"286\" data-end=\"311\"\u003eUna Piscina Geopolítica\u003c\/em\u003e begins with a count: 22,440 private swimming pools, one million square meters of water, hundreds of kilometres of edges – assembled into a silent, infrastructural image. Yet the setting is one of the driest regions in Spain. What follows is not documentation alone, but a spatial argument: water redirected from agriculture to leisure, territory reshaped into lifestyle, landscape turned into promise.\u003c\/p\u003e\n\u003cp data-start=\"717\" data-end=\"1096\"\u003eThe publication unfolds as a dispersed research object – zine, map, insert, poster – where data, image and gesture circulate without hierarchy. Pools appear as markers of speculation, tourism, second homes, and the quiet violence of planning. What is at stake is not the object itself, but the regime it belongs to. A thin, precise work that reads territory through its surfaces.\u003c\/p\u003e\n\u003chr data-start=\"1098\" data-end=\"1101\"\u003e\n\u003cp data-start=\"1103\" data-end=\"1116\"\u003e\u003cstrong data-start=\"1103\" data-end=\"1114\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1118\" data-end=\"1316\"\u003eHandshake, 2024 \u003cbr\u003e24 pages + inserts (map, poster, zines) \u003cbr\u003e30 × 22 cm \u003cbr\u003esoftcover in blue stiff plastic sleeve\u003cbr\u003eISBN 978-8412393439. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1323\" data-end=\"1334\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"1348\" data-end=\"1362\"\u003e\u003cstrong data-start=\"1348\" data-end=\"1360\"\u003eSee also\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJ.G. Ballard and \u003ca href=\"https:\/\/www.nicolasnova.net\/pasta-and-vinegar\/2007\/11\/23\/jg-ballard-and-empty-swimming-pools\/\" target=\"_blank\" rel=\"noopener\"\u003eempty swimming pools\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52725513421128,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/piscinas-geopoliticas-light-01_b2ab9f41-ecbe-4485-81c2-cd665969c76d.jpg?v=1774072840"},{"product_id":"the-sunset","title":"THE Sunset","description":"\u003cp data-end=\"363\" data-start=\"124\"\u003e\u003cstrong data-end=\"144\" data-start=\"124\"\u003e\u003c\/strong\u003e\u003cbr data-end=\"147\" data-start=\"144\"\u003eA strip, almost nothing. Paper extending, black and white, a faint watercolour passing through it. \u003cem data-end=\"258\" data-start=\"246\"\u003eTHE Sunset\u003c\/em\u003e does not settle into image; it lingers as length, as a slow unfolding that cannot be taken in at once.\u003c\/p\u003e\n\u003cp data-end=\"563\" data-start=\"365\"\u003eThe horizon appears only lightly, as a tone, a wash, something already receding while it is still there. \u003c\/p\u003e\n\u003chr data-end=\"741\" data-start=\"738\"\u003e\n\u003cp data-end=\"856\" data-start=\"743\"\u003e\u003cstrong data-end=\"759\" data-start=\"743\"\u003e(DE)\u003c\/strong\u003e\u003cbr data-end=\"762\" data-start=\"759\"\u003eEin Streifen, kaum Bild: Aquarell, das sich entlang der Länge verliert, während es sich zeigt.\u003c\/p\u003e\n\u003chr data-end=\"861\" data-start=\"858\"\u003e\n\u003cp data-end=\"876\" data-start=\"863\"\u003e\u003cstrong data-end=\"874\" data-start=\"863\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"981\" data-start=\"878\"\u003eJonathan Monk, \u003cem data-end=\"905\" data-start=\"893\"\u003eTHE Sunset\u003c\/em\u003e, 2024, newspaper format, black and white with watercolour, 320 × 4650 mm.\u003c\/p\u003e\n\u003cp data-end=\"1027\" data-start=\"1013\"\u003e\u003cstrong data-end=\"1025\" data-start=\"1013\"\u003eSee also\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1278\" data-start=\"1029\"\u003eFor an early articulation of the image as sequence and extension rather than single view, see \u003ca rel=\"noopener\" href=\"https:\/\/www.moma.org\/collection\/works\/146931\" target=\"_blank\"\u003eEd Ruscha’s \u003cem data-end=\"1171\" data-start=\"1135\"\u003eEvery Building on the Sunset Strip\u003c\/em\u003e\u003c\/a\u003e, where the street becomes a continuous photographic surface.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52725857681736,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/linger_sunset_warm.jpg?v=1774077827"},{"product_id":"interviews-heft-13-faltungen","title":"INTERVIEWS – HEFT 13: FALTUNGEN","description":"\u003cp data-end=\"585\" data-start=\"209\"\u003eWhat is held together are different possibilities of meaning around the notion of the fold – as memory, as origin, as something that returns altered.\u003c\/p\u003e\n\u003cp data-end=\"785\" data-start=\"587\"\u003eThe texts move between past and present without fixing either.\u003c\/p\u003e\n\u003chr data-end=\"854\" data-start=\"851\"\u003e\n\u003cp data-end=\"1021\" data-start=\"856\"\u003e\u003cstrong data-end=\"872\" data-start=\"856\"\u003eHinweis (DE)\u003c\/strong\u003e\u003cbr data-end=\"875\" data-start=\"872\"\u003eEin Heft über Faltungen: autobiografische Texte, die sich nicht festlegen, sondern sich verschieben – zwischen Herkunft, Erinnerung und Gegenwart.\u003c\/p\u003e\n\u003chr data-end=\"1026\" data-start=\"1023\"\u003e\n\u003cp data-end=\"1041\" data-start=\"1028\"\u003e\u003cstrong data-end=\"1039\" data-start=\"1028\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1163\" data-start=\"1043\"\u003e20 pages, 29.7 × 21 cm, edition of 50 (numbered), German\u003c\/p\u003e\n\u003chr data-end=\"1168\" data-start=\"1165\"\u003e\n\u003cp data-end=\"1181\" data-start=\"1170\"\u003e\u003cstrong data-end=\"1179\" data-start=\"1170\"\u003ePrice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1188\" data-start=\"1183\"\u003e€10\u003c\/p\u003e\n\u003chr data-end=\"1193\" data-start=\"1190\"\u003e\n\u003cp data-end=\"1209\" data-start=\"1195\"\u003e\u003cstrong data-end=\"1207\" data-start=\"1195\"\u003eSee also\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1522\" data-start=\"1211\"\u003eFor a broader reflection on the concept of the \u003ca href=\"https:\/\/onarchitecture.substack.com\/p\/on-the-fold\" target=\"_blank\" rel=\"noopener\"\u003efold\u003c\/a\u003e.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52726062612808,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/108_108_interviews-ayumi-rahn-heft-13-8.jpg?v=1774080574"},{"product_id":"interviews-heft-12-bedingungen","title":"INTERVIEWS – HEFT 12: BEDINGUNGEN","description":"\u003cp data-start=\"524\" data-end=\"771\"\u003eMinimal in form: sublime. Volcano. Clouds.\u003cbr\u003e\u003c\/p\u003e\n\u003chr data-start=\"835\" data-end=\"838\"\u003e\n\u003cp data-start=\"840\" data-end=\"989\"\u003e\u003cstrong data-start=\"840\" data-end=\"856\"\u003eHinweis (DE)\u003c\/strong\u003e\u003cbr data-start=\"856\" data-end=\"859\"\u003eEin Heft unter Bedingungen: Text und nummeriertes Sample stehen nebeneinander und verschieben sich gegenseitig in ihrer Bedeutung.\u003c\/p\u003e\n\u003chr data-start=\"991\" data-end=\"994\"\u003e\n\u003cp data-start=\"996\" data-end=\"1009\"\u003e\u003cstrong data-start=\"996\" data-end=\"1007\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1011\" data-end=\"1156\"\u003e2019, 20 pages, 29.7 × 21 cm, edition of 50 (numbered), German.\u003c\/p\u003e\n\u003cp data-start=\"1163\" data-end=\"1174\"\u003e \u003c\/p\u003e\n\u003chr data-start=\"1183\" data-end=\"1186\"\u003e\n\u003cp data-start=\"1188\" data-end=\"1202\"\u003e\u003cstrong data-start=\"1188\" data-end=\"1200\"\u003eSee also\u003cbr\u003e\u003c\/strong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.goodreads.com\/quotes\/140203-o-snail-climb-mount-fuji-but-slowly-slowly\" target=\"_blank\"\u003eHaiku\u003c\/a\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52726077915464,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/106_106_interviews-heft-12-ayumi-rahnc.jpg?v=1774081272"},{"product_id":"stephen-farthing","title":"MUTE ACCOMPLICES","description":"\u003cp data-end=\"464\" data-start=\"143\"\u003e\u003cstrong data-end=\"158\" data-start=\"143\"\u003e\u003c\/strong\u003e\u003cbr data-end=\"161\" data-start=\"158\"\u003eA catalogue that stays close to the conditions of painting rather than its mythology. Produced in conjunction with Farthing’s late-1980s exhibitions, the book gathers works that move between image, material and reference, often approaching painting as a site of translation rather than representation.\u003c\/p\u003e\n\u003cp data-end=\"845\" data-start=\"466\"\u003eFarthing’s practice is attentive, almost diagrammatic. Images appear as if tested against their own making, stretched between observation and construction. The publication follows this logic: modest, structured, quietly rigorous. It reads less as a retrospective statement than as a working surface, where painting remains open, provisional, and in dialogue with its own means.\u003c\/p\u003e\n\u003cp data-end=\"998\" data-start=\"847\"\u003eThere is a clarity here that does not simplify but holds complexity in suspension. A book that documents, but also continues, the thinking of the work.\u003c\/p\u003e\n\u003chr data-end=\"1003\" data-start=\"1000\"\u003e\n\u003cp data-end=\"1018\" data-start=\"1005\"\u003e\u003cstrong data-end=\"1016\" data-start=\"1005\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1217\" data-start=\"1020\"\u003e1987, Museum of Modern Art Oxford \u003cbr\u003eEdward Totah Gallery London\u003cbr data-end=\"1124\" data-start=\"1121\"\u003eFirst edition, 1750 copies\u003cbr data-end=\"1153\" data-start=\"1150\"\u003eText: Marco Livingstone, Stephen Farthing\u003cbr data-end=\"1197\" data-start=\"1194\"\u003eISBN 0-905536-58-8\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003chr data-end=\"1247\" data-start=\"1244\"\u003e\n\u003cp data-end=\"1263\" data-start=\"1249\"\u003e\u003cstrong data-end=\"1261\" data-start=\"1249\"\u003eSee also\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt \u003ca href=\"https:\/\/candidastevens.com\/artists\/64-stephen-farthing-ra\/works\/\" target=\"_blank\" rel=\"noopener\"\u003eCandida Stevens Gallery\u003c\/a\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1608\" data-start=\"1492\"\u003e \u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52728338874696,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-03-21_16-30-56.jpg?v=1774108524"},{"product_id":"david-black-in-berlin","title":"DAVID BLACK IN BERLIN","description":"\u003cp\u003eA document of David Black’s stay in West Berlin, where he developed his early Plexiglas works. Notably, for this period, Black built his own machines to cut and shape Plexiglas, allowing him to control colour, layering and light directly in the material. \u003cbr\u003e\u003cbr\u003ePublished by the DAAD Artists-in-Berlin Program, the catalogue accompanies his 1971 exhibition and the realization of Skypiece at the Neue Nationalgalerie. \u003cbr\u003e\u003cbr\u003ePhotographs and texts by George Rickey and others place the work within the sculptural debates of the time. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e \u003cbr\u003ePublisher: DAAD, Berlin, 1971 \u003cbr\u003eType: Exhibition catalogue \u003cbr\u003eTexts: George Rickey et al. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSee also \u003c\/strong\u003e\u003cbr\u003eThe light in \u003ca href=\"https:\/\/blog.smb.museum\/wiedergeburt-in-der-neuen-nationalgalerie-die-restaurierung-von-david-blacks-sky-piece\/\"\u003ethe Berlin's piece\u003c\/a\u003e.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52802725019976,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/ChatGPTImage30.Marz2026_07_24_45.png?v=1774848328"},{"product_id":"le-musee-sentimental-de-prusse","title":"LE MUSÉE SENTIMENTAL DE PRUSSE","description":"\u003cp data-start=\"132\" data-end=\"621\"\u003ePublished on the occasion of the exhibition \u003cem data-start=\"176\" data-end=\"208\"\u003eLe Musée Sentimental de Prusse\u003c\/em\u003e at the Berlin Museum (Berliner Festspiele, 1981), this catalogue unfolds as an extensive, associative archive of objects, texts, and historical fragments. Conceived by Daniel Spoerri and developed with Marie-Louise von Plessen, the project departs from conventional historiography and instead assembles a “sentimental” topography of Prussia, where meaning emerges through anecdote, proximity, and the unexpected.\u003c\/p\u003e\n\u003cp data-start=\"623\" data-end=\"1019\"\u003eRather than privileging canonical artifacts, the exhibition gathers objects charged with narrative and affect. Each entry operates as a fragment within a wider constellation, where personal memory and cultural history intersect. The catalogue reflects this structure: a dense compilation of references, quotations, and images that collectively construct an alternative mode of historical reading.\u003c\/p\u003e\n\u003cp data-start=\"1021\" data-end=\"1467\"\u003eMarie-Louise von Plessen, a curator and cultural historian, has consistently worked on large-scale historical exhibitions, while Daniel Spoerri, a key figure of Nouveau Réalisme, extended his practice of object-based assemblage into the exhibition format itself. The Musée Sentimental remains a decisive model for exhibition-making, where curatorial logic replaces linear narration with a field of relations. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1551\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1480\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1480\" data-end=\"1483\"\u003ePublisher: Frölich \u0026amp; Kaufmann, Berlin\u003cbr data-start=\"1520\" data-end=\"1523\"\u003eType: Exhibition catalogue\u003c\/p\u003e\n\u003cp data-start=\"1553\" data-end=\"1772\"\u003e\u003cstrong data-start=\"1553\" data-end=\"1565\"\u003eSee also\u003cbr\u003e\u003c\/strong\u003e“Musée Sentimental”, \u003cem data-start=\"1601\" data-end=\"1618\"\u003eCentre Pompidou\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":52961374634312,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-22_17-49-52_6e663707-293e-4044-9487-b8de417da07d.jpg?v=1776873357"},{"product_id":"marwan","title":"MARWAN","description":"\u003cp data-start=\"189\" data-end=\"506\"\u003ePublished by the Ministry of Culture \u0026amp; Information, Iraq, this catalogue documents Marwan Kassab-Bachi’s exhibition at the Museum of Modern Art in Baghdad in 1980. It brings together a body of work centred on the “head” – not as portrait, but as a sustained painterly inquiry into structure, density, and interiority.\u003c\/p\u003e\n\u003cp data-start=\"508\" data-end=\"790\"\u003eMarwan’s images unfold through layering and repetition, where the face becomes a field rather than a likeness. Built through accumulation, erosion, and reworking, these works hold a tension between presence and dissolution. The line does not describe – it presses, insists, returns.\u003c\/p\u003e\n\u003cp data-start=\"792\" data-end=\"1114\"\u003eThe catalogue stands as a document of a specific cultural moment: a Berlin-based artist exhibiting in Baghdad at the threshold of geopolitical rupture. As such, it carries not only the works themselves, but also the conditions of their appearance – a passage between artistic contexts that would soon be radically altered.\u003c\/p\u003e\n\u003cp data-start=\"1116\" data-end=\"1224\"\u003e\u003cstrong data-start=\"1116\" data-end=\"1127\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1127\" data-end=\"1130\"\u003ePublisher: Ministry of Culture \u0026amp; Information, Iraq\u003cbr data-start=\"1180\" data-end=\"1183\"\u003eType: Exhibition catalogue\u003cbr data-start=\"1209\" data-end=\"1212\"\u003eYear: 1980\u003c\/p\u003e\n\u003cp data-start=\"1226\" data-end=\"1311\"\u003e\u003cstrong data-start=\"1226\" data-end=\"1238\"\u003eSee also\u003c\/strong\u003e\u003cbr data-start=\"1238\" data-end=\"1241\"\u003eMarwan Kassab-Bachi and the question of the \u003ca href=\"https:\/\/auroraathena.com\/journal\/insights\/marwan-kassab-bachi\/\"\u003ehead \u003c\/a\u003ein postwar painting\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53007888810312,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-29_17-25-38.jpg?v=1777476380"},{"product_id":"freak-orlando","title":"FREAK ORLANDO","description":"\u003cp data-end=\"335\" data-start=\"130\"\u003ePublished in the context of Ulrike Ottinger’s \u003cem data-end=\"191\" data-start=\"176\"\u003eFreak Orlando\u003c\/em\u003e (1981), this catalogue unfolds around a film that reworks Virginia Woolf’s \u003cem data-end=\"276\" data-start=\"267\"\u003eOrlando\u003c\/em\u003e into a sequence of staged, excessive, and unstable images. A world emerges, of a difference unresolved.\u003c\/p\u003e\n\u003cp data-end=\"1244\" data-start=\"1125\"\u003eHow to proceed? Through tableaux. \u003cbr\u003eHow to go on?\u003cstrong data-end=\"1136\" data-start=\"1125\"\u003e\u003cbr\u003e\u003cbr\u003ePublisher\u003c\/strong\u003e\u003cbr data-end=\"1190\" data-start=\"1187\"\u003edaad-galerie\u003cbr data-end=\"1216\" data-start=\"1213\"\u003e\u003cbr\u003e\u003cstrong data-end=\"1258\" data-start=\"1246\"\u003eSee also\u003c\/strong\u003e\u003cbr data-end=\"1261\" data-start=\"1258\"\u003e\u003ca href=\"https:\/\/www.grisebach.com\/termine-veranstaltungen\/ulrike-ottinger-texturen\"\u003eTextures \u003c\/a\u003eof Ulrike Ottinger\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53015430562120,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-30_15-05-46.jpg?v=1777555258"},{"product_id":"winfried-tonner","title":"WINFRIED TONNER","description":"\u003cp data-start=\"113\" data-end=\"350\"\u003eTonner’s paintings are exacting, yet never neutral.\u003c\/p\u003e\n\u003cp data-start=\"352\" data-end=\"634\"\u003ePortraits, interiors, still-life elements appear composed, but there is no capture, as if reality were being carefully restaged. Mirrors, frames, and reflections recur, introducing a second layer: the image looking back at itself.\u003c\/p\u003e\n\u003cp data-start=\"1065\" data-end=\"1145\"\u003e\u003cstrong data-start=\"1065\" data-end=\"1076\"\u003eType\u003c\/strong\u003e\u003cbr data-start=\"1076\" data-end=\"1079\"\u003eMonograph\u003c\/p\u003e\n\u003cp data-start=\"1147\" data-end=\"1237\"\u003e\u003cstrong data-start=\"1147\" data-end=\"1159\"\u003eSee also\u003c\/strong\u003e\u003cbr data-start=\"1159\" data-end=\"1162\"\u003eOn \u003ca href=\"https:\/\/aestheticamagazine.com\/staged-crafted-and-constructed-expanded-photography\/\"\u003ethe staged\u003c\/a\u003e, in photography\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53016261984584,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-30_17-22-21.jpg?v=1777562598"},{"product_id":"werner-buttner","title":"WERNER BÜTTNER","description":"\u003cp data-start=\"76\" data-end=\"125\"\u003e\u003cstrong data-start=\"76\" data-end=\"125\"\u003eBilder und einige Skulpturen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"361\" data-end=\"627\"\u003eAt the centre of this practice is the stain. More than accident: operator. The crude, excessive, even ugly, enters the image as a force. Surfaces are smeared, broken, or overworked, allowing the painting to remain open, unstable.\u003c\/p\u003e\n\u003cp data-start=\"629\" data-end=\"885\"\u003eIt produces its own precision. It brings together paintings and sculptural references without resolving their differences, allowing the work to remain in a state of active contradiction.\u003c\/p\u003e\n\u003cp data-start=\"1350\" data-end=\"1457\"\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e \u003cbr\u003eKunstverein München\u003cbr\u003e\u003cbr data-start=\"1219\" data-end=\"1222\"\u003e\u003cstrong data-start=\"1459\" data-end=\"1471\"\u003eSee also\u003c\/strong\u003e\u003cbr data-start=\"1471\" data-end=\"1474\"\u003eThe concept of a \u003ca href=\"https:\/\/www.manchesterhive.com\/display\/9781526113146\/9781526113146.xml\"\u003eproductive failure\u003c\/a\u003e.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53016466948424,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-30_17-45-20.jpg?v=1777563950"},{"product_id":"vostell","title":"VOSTELL","description":"\u003cp data-start=\"98\" data-end=\"311\"\u003eThis publication documents a moment in Wolf Vostell’s Berlin practice, where painting extends into the city as intervention. \u003c\/p\u003e\n\u003cp data-start=\"313\" data-end=\"553\"\u003eWe all love the controversial Cadillac placed in that Berlin roundabout – an object displaced into the flow of traffic, at once sculpture, obstruction, and signal. \u003c\/p\u003e\n\u003cp data-start=\"788\" data-end=\"976\"\u003eThe publication moves between works, an interview, and studio views. Gem of a weave.\u003c\/p\u003e\n\u003cp data-start=\"978\" data-end=\"1145\"\u003e\u003cbr data-start=\"1044\" data-end=\"1047\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e \u003cbr\u003eWewerka Gallery\u003cbr data-start=\"1073\" data-end=\"1076\"\u003e\u003cbr\u003e\u003cstrong data-start=\"1147\" data-end=\"1159\"\u003eSee also\u003c\/strong\u003e\u003cbr data-start=\"1159\" data-end=\"1162\"\u003eOn the art of interruption.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53017104154952,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-30_18-22-14.jpg?v=1777566158"},{"product_id":"chase-riboud-zeichnungen","title":"CHASE RIBOUD – “ZEICHNUNGEN”","description":"\u003cp data-start=\"39\" data-end=\"290\"\u003eChase Riboud (b. 1956, Paris) works between drawing and sculpture, carrying a lineage shaped by image, form, and the politics of race. As a Black American artist moving through European and American contexts, her work never treats the body as neutral.\u003c\/p\u003e\n\u003cp data-start=\"292\" data-end=\"494\"\u003eThese drawings are withdrawals.\u003cbr data-start=\"347\" data-end=\"350\"\u003eBut the presence becomes here pressure.\u003c\/p\u003e\n\u003cp data-start=\"496\" data-end=\"658\"\u003eRace is structural.\u003cbr data-start=\"544\" data-end=\"547\"\u003e\u003cbr\u003e\u003cstrong data-start=\"1229\" data-end=\"1240\"\u003e\u003cbr\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1240\" data-end=\"1243\"\u003eMedium: Drawing (graphite on paper)\u003cbr data-start=\"1324\" data-end=\"1327\"\u003eType: Artist publication \/ catalogue\u003cbr data-start=\"1363\" data-end=\"1366\"\u003eContext: Works on paper within a broader sculptural and conceptual practice\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSee also\u003c\/strong\u003e\u003cbr\u003eOn \u003ca href=\"https:\/\/link.springer.com\/chapter\/10.1007\/978-3-032-08035-6_29\"\u003elookism\u003c\/a\u003e.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53017434587464,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-30_18-45-43.jpg?v=1777567577"},{"product_id":"chase-riboud","title":"CHASE RIBOUD","description":"\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-58\" data-turn-id=\"844bd3ab-1bab-44d0-8d38-71538f0b9d85\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-turn-start-message=\"true\" data-message-id=\"844bd3ab-1bab-44d0-8d38-71538f0b9d85\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-end=\"119\" data-start=\"23\"\u003eWhat you have here is the other side of the drawings – where the line has thickened into matter.\u003c\/p\u003e\n\u003cp data-end=\"379\" data-start=\"121\"\u003eBronze, silk, rope. Hard and soft forced into coexistence. The surface gleams, but it is never smooth, it is almost wounded into form. \u003c\/p\u003e\n\u003cp data-end=\"1035\" data-start=\"884\"\u003eThere is something ceremonial here, but also provisional. What is striking is the refusal of purity. No clean material, no clean meaning – even race – everything is hybrid, entangled. The refined surface carries the trace of pressure – a polished stain that was never removed, only transformed.\u003c\/p\u003e\n\u003cp data-end=\"1462\" data-start=\"1267\"\u003e\u003cstrong data-end=\"1278\" data-start=\"1267\"\u003eDetails\u003c\/strong\u003e\u003cbr data-end=\"1281\" data-start=\"1278\"\u003eExhibition catalogue. \u003cbr\u003eMedium: Bronze, silk, rope (sculptural works)\u003cbr data-end=\"1352\" data-start=\"1349\"\u003eMotif: Binding, draping, vertical accumulation\u003cbr data-end=\"1401\" data-start=\"1398\"\u003e\u003c\/p\u003e\n\u003cstrong\u003eSee also\u003c\/strong\u003e\u003cbr\u003eRibaud's \u003ca href=\"https:\/\/www.frieze.com\/article\/barbara-chase-riboud-interview\"\u003einterview\u003c\/a\u003e, askance.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53017704104264,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-30_19-00-06.jpg?v=1777568441"},{"product_id":"paintings-1976-78","title":"PAINTINGS 1976–78","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"ae5827cc-2b4d-4a60-9502-0d4a793e2d73\" data-testid=\"conversation-turn-60\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"90c35384-8bcd-424a-8091-7bccafbdac4c\" data-turn-start-message=\"true\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\"\u003e\n\u003cp data-start=\"22\" data-end=\"87\"\u003eAt first glance, almost nothing. Just bands of color, held apart.\u003c\/p\u003e\n\u003cp data-start=\"89\" data-end=\"299\"\u003eBut Badur works exactly at that threshold where painting withdraws from image. Into calibrations. Intervals. Distances made visible.\u003c\/p\u003e\n\u003cp data-start=\"301\" data-end=\"518\"\u003eThe vertical bands – yellow, blue – are not expressive gestures. They behave like measures. Each color defines the other by adjacency, by spacing. What matters is not the stripe itself, but the clearing it produces. Light.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cbr\u003eGallery Christel, Stockholm\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1073\" data-end=\"1424\"\u003e\u003cstrong data-start=\"1073\" data-end=\"1082\"\u003eSee also\u003c\/strong\u003e\u003cbr data-start=\"1082\" data-end=\"1085\"\u003e\u003ca href=\"https:\/\/www.davidzwirner.com\/exhibitions\/2008\/minimal-and-conceptual-art-europe-collection-helga-and-walther-lauffs\"\u003eMinimal and conceptual\u003c\/a\u003e Europe\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53018022543688,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-30_19-10-09.jpg?v=1777569043"},{"product_id":"frank-badur-gemalde-und-collagen","title":"FRANK BADUR – GEMÄLDE UND COLLAGEN","description":"\u003cp data-start=\"45\" data-end=\"69\"\u003eHere the system loosens.\u003c\/p\u003e\n\u003cp data-start=\"71\" data-end=\"301\"\u003eThe image is released from the strict interval – stripe against stripe, color against silence – it begins to breathe differently. The edges soften. The pigment enters the paper. The surface absorbs where it used to assert.\u003c\/p\u003e\n\u003cp data-start=\"303\" data-end=\"570\"\u003eThe red is no longer a band but a field, almost atmospheric. A decision point, hesitation rendered visible.\u003c\/p\u003e\n\u003cp data-start=\"1211\" data-end=\"1616\"\u003e\u003cstrong data-start=\"1211\" data-end=\"1220\"\u003e\u003cbr\u003ePublisher\u003cbr\u003e\u003c\/strong\u003eVerlag für moderne Kunst Nürnberg\u003cstrong data-start=\"1211\" data-end=\"1220\"\u003e\u003cbr\u003e\u003cbr\u003eSee also\u003c\/strong\u003e\u003cbr data-start=\"1220\" data-end=\"1223\"\u003eThe artist \u003ca href=\"https:\/\/www.youtube.com\/watch?v=eZbghHezi5s\"\u003espeaks\u003c\/a\u003e.\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53018100531528,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-04-30_19-18-04.jpg?v=1777569545"},{"product_id":"joachim-schmettau-skulpturen-und-zeichnungen-1960-1980","title":"JOACHIM SCHMETTAU: SKULPTUREN UND ZEICHNUNGEN 1960–1980","description":"\u003cp data-start=\"447\" data-end=\"706\"\u003eAcross approximately 90 pages with numerous black-and-white illustrations, the book documents two decades of work – from early figurative studies to the increasingly stylised, materially refined sculptures of the 1970s. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"708\" data-end=\"992\"\u003eThe reproductions emphasise Schmettau’s handling of surface: smoothed, almost sealed forms in plaster, bronze, and mixed materials. Figures appear both intimate and estranged – heads, torsos, hybrid bodies – often engaged in quiet, ambiguous actions. The gaze is as present as withheld.\u003c\/p\u003e\n\u003cp data-start=\"708\" data-end=\"992\"\u003e\u003cstrong data-start=\"1146\" data-end=\"1159\"\u003e\u003cbr\u003ePublisher\u003c\/strong\u003e\u003cbr data-start=\"1159\" data-end=\"1162\"\u003eKunstverein Hannover \/ Städtische Museen Heilbronn, 1980\u003c\/p\u003e\n\u003cp data-start=\"708\" data-end=\"992\"\u003e\u003cstrong data-start=\"1222\" data-end=\"1234\"\u003e\u003cbr\u003eSee also\u003c\/strong\u003e\u003cbr data-start=\"1234\" data-end=\"1237\"\u003eOn \u003ca href=\"https:\/\/www.tagesspiegel.de\/kultur\/verspielte-strenge-3806365.html\"\u003eSchmettau’s\u003c\/a\u003e sculptural language and Berlin context.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53027181560136,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-05-02_21-41-23.jpg?v=1777750962"},{"product_id":"heinrich-siepmann-gemalde-und-collagen-der-achtziger-jahre","title":"HEINRICH SIEPMANN – GEMÄLDE UND COLLAGEN DER ACHTZIGER JAHRE","description":"\u003cp data-end=\"409\" data-start=\"101\"\u003eWhat precise handling of edges, planes, and intervals. Color fields do meet, interrupt, or hold back from one another.\u003c\/p\u003e\n\u003cp data-end=\"791\" data-start=\"411\"\u003eThe tension of the compositions: a red plane pressed against a narrow vertical, a muted field held in suspension by a thin line. In the collages, material enters more explicitly – corrugated textures, layered surfaces – yet always disciplined by a strict compositional logic.\u003c\/p\u003e\n\u003cp data-end=\"1109\" data-start=\"793\"\u003eThe shift from collage to painting is not treated as a break, but as a modulation of the same underlying concern: how a surface can be structured without closure.\u003c\/p\u003e\n\u003cp data-end=\"1109\" data-start=\"793\"\u003e\u003cstrong data-end=\"1124\" data-start=\"1111\"\u003e\u003cbr\u003ePublisher\u003c\/strong\u003e\u003cbr data-end=\"1127\" data-start=\"1124\"\u003eKunsthalle Recklinghausen\u003c\/p\u003e\n\u003cp data-end=\"1154\" data-start=\"1111\"\u003e\u003cstrong data-end=\"1213\" data-start=\"1201\"\u003e\u003cbr\u003eSee also\u003c\/strong\u003e\u003cbr data-end=\"1216\" data-start=\"1213\"\u003e\u003ca href=\"https:\/\/ruhrmuseum.de\/en\/ausstellungen\/archiv\/2025\/the-land-of-a-thousand-fires-industrial-images-from-the-ludwig-schoene\"\u003eRuhr\u003c\/a\u003e and art.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"1339\" data-start=\"1201\"\u003e\u003ca class=\"decorated-link cursor-pointer\" rel=\"noopener\" data-end=\"1337\" data-start=\"1312\"\u003e\u003cspan class=\"ms-0.5 inline-block align-middle leading-none\" aria-hidden=\"true\"\u003e\u003csvg class=\"block h-[0.75em] w-[0.75em] stroke-current stroke-[0.75]\" data-rtl-flip=\"\" aria-hidden=\"true\" height=\"20\" width=\"20\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003cuse href=\"\/cdn\/assets\/sprites-core-6d2147a0.svg#304883\" fill=\"currentColor\"\u003e\u003c\/use\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53029532860744,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-05-03_11-20-29.jpg?v=1777800177"},{"product_id":"jannis-psychopedis-night-in-brussels","title":"JANNIS PSYCHOPEDIS: NIGHT IN BRUSSELS","description":"\u003cp data-end=\"182\" data-start=\"92\"\u003eThe city, lead by a leafy street, pulled away from more acknowledged parts of town, fractures into colour.\u003cbr data-end=\"124\" data-start=\"121\"\u003eInterior and exterior collapse into one, sunny field of pressure.\u003c\/p\u003e\n\u003cp data-end=\"428\" data-start=\"184\"\u003eIt's worked through density, across the classical rigour, to the electric surface where colour and contour works through many little neighbourings. \u003c\/p\u003e\n\u003cp data-end=\"703\" data-start=\"664\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cbr data-end=\"676\" data-start=\"673\"\u003eKunsthalle Recklinghausen\u003c\/p\u003e\n\u003cp data-end=\"841\" data-start=\"705\"\u003e\u003cstrong\u003eSee also\u003c\/strong\u003e\u003cbr data-end=\"716\" data-start=\"713\"\u003eWhither \u003ca href=\"https:\/\/www.moussemagazine.it\/magazine\/roundtable-on-contemporary-figuration-2020\/\"\u003efiguration\u003c\/a\u003e?\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53043636142408,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-05-05_21-52-32.jpg?v=1778010863"},{"product_id":"jannis-psychopedis-selected-pictures-1962-1986","title":"JANNIS PSYCHOPEDIS: SELECTED PICTURES 1962–1986","description":"\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-158\" data-turn-id=\"request-69f1f64b-3450-83eb-96c8-d1860bc3f303-0\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5\" dir=\"auto\" data-message-id=\"a5d0df01-d9e4-4b2b-bbfa-f8bd2bb99860\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp data-end=\"329\" data-start=\"52\"\u003eThis publication follows two decades of Psychopedis’ movement between figuration, montage, memory, and political atmosphere.\u003cbr data-end=\"179\" data-start=\"176\"\u003eA drift between interiors, fragmented bodies, newspaper imagery, workers, ruins, domestic objects, and moments of almost unbearable stillness.\u003c\/p\u003e\n\u003cp data-end=\"638\" data-start=\"408\"\u003eEverything enters the same unstable visual syntax. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cbr data-end=\"1037\" data-start=\"1034\"\u003eAGRA Publications\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1222\" data-start=\"1058\"\u003e\u003cstrong\u003eSee also\u003c\/strong\u003e\u003cbr data-end=\"1069\" data-start=\"1066\"\u003eOn \u003ca href=\"https:\/\/frontdeskapparatus.com\/wp\/wp-content\/uploads\/2012\/10\/buchloh_factography.pdf\"\u003emontage and political image-thinking\u003c\/a\u003e in postwar art.\u003cbr data-end=\"1127\" data-start=\"1124\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53058474705224,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-05-07_23-55-00.jpg?v=1778190981"},{"product_id":"arbeiten-1978-79","title":"ARBEITEN 1978\/79","description":"\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-116\" data-turn-id-container=\"request-69f1f64b-3450-83eb-96c8-d1860bc3f303-1\" data-turn-id=\"request-69f1f64b-3450-83eb-96c8-d1860bc3f303-1\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5\" dir=\"auto\" data-message-id=\"e18ea920-44b8-413d-bef1-aaa3d106d3fe\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp data-end=\"403\" data-start=\"45\"\u003eThese works emerge from a Europe still carrying the pressure of dictatorship, surveillance, ideological fracture, and the exhaustion of political promises. Psychopedis lets it sediment into the image – into ropes, anatomical fragments, architectural voids, erased diagrams, and interrupted bodies. The staging of it all.\u003c\/p\u003e\n\u003cp data-end=\"753\" data-start=\"405\"\u003eThe eye is dissected, language fragments, historical references appear and disappear beneath layers of graphite and photographic transfer. \u003c\/p\u003e\n\u003cp data-end=\"1168\" data-start=\"1146\"\u003e\u003cstrong data-end=\"1159\" data-start=\"1146\"\u003ePublisher\u003c\/strong\u003e\u003cbr data-end=\"1162\" data-start=\"1159\"\u003eDAAD\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1326\" data-start=\"1170\"\u003e\u003cstrong data-end=\"1182\" data-start=\"1170\"\u003eSee also\u003c\/strong\u003e\u003cbr data-end=\"1185\" data-start=\"1182\"\u003eOn \u003ca href=\"https:\/\/www.documenta14.de\/en\/calendar\/964\/-6-memory-under-construction-towards-a-public-memory-of-torture-in-greece\"\u003epolitical memory\u003c\/a\u003e after the Greek dictatorship.\u003ca class=\"decorated-link cursor-pointer\" rel=\"noopener\" data-is-last-node=\"\" data-end=\"1326\" data-start=\"1245\"\u003e\u003cspan class=\"ms-0.5 inline-block align-middle leading-none\" aria-hidden=\"true\"\u003e\u003csvg class=\"block h-[0.75em] w-[0.75em] stroke-current stroke-[0.75]\" data-rtl-flip=\"\" aria-hidden=\"true\" height=\"20\" width=\"20\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003cuse href=\"\/cdn\/assets\/sprites-core-86c0e697.svg#304883\" fill=\"currentColor\"\u003e\u003c\/use\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"contents\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53068374966600,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-05-09_18-21-22.jpg?v=1778343739"},{"product_id":"john-hubbard-the-breath-of-nature-work-from-1981-to-1985","title":"JOHN HUBBARD – THE BREATH OF NATURE: WORK FROM 1981 TO 1985","description":"\u003cp data-end=\"341\" data-start=\"82\"\u003ePainting as immersion, more than composition. Hubbard’s surfaces enter into nature's density. Flowers, foliage, undergrowth begin to move and to dissolve into the movement, releasing vibration, atmosphere.\u003c\/p\u003e\n\u003cp data-end=\"636\" data-start=\"343\"\u003eThe earlier charcoal works carry a strange gravity. Vases and floral forms emerge from darkness ceremonially, negotiating the right to appear. Later paintings open outward, into colour. The brushstroke loosens and expands, and the surface turns into a climate.\u003c\/p\u003e\n\u003cp data-end=\"1052\" data-start=\"1007\"\u003e\u003cstrong data-end=\"1020\" data-start=\"1007\"\u003ePublisher\u003c\/strong\u003e\u003cbr data-end=\"1023\" data-start=\"1020\"\u003eMuseum of Modern Art Oxford\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1194\" data-start=\"1054\"\u003e\u003cstrong data-end=\"1066\" data-start=\"1054\"\u003eSee also\u003c\/strong\u003e\u003cbr data-end=\"1069\" data-start=\"1066\"\u003e\u003ca href=\"https:\/\/pallant.org.uk\/whats-on\/the-shape-of-things-still-life-in-britain\/\"\u003eStill life\u003c\/a\u003e through the British eye.\u003cbr\u003e\u003c\/p\u003e","brand":"Galerie Linger","offers":[{"title":"Default Title","offer_id":53069041959240,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0952\/5998\/4200\/files\/photo_2026-05-09_19-09-00.jpg?v=1778346582"}],"url":"https:\/\/galerielinger.com\/collections\/second-hand.oembed","provider":"Galerie Linger","version":"1.0","type":"link"}