Emerging from a logic close to the street, this work furthers a direct, unfiltered line. The figure – part animal, part construct – holds together through repetition, pressure, and slight distortion. Nothing is corrected; the image advances by insistence.

Set against a loosely structured ground, the figure does not occupy space so much as pass through it. Marks accumulate, overlap, and drift, leaving the image open, provisional, and close to disappearance.

Details
Medium: Acrylic marker on paper
Size: A4

See also
Noriaki in a big format.