Symptomatically, Bohan's piece reads like an archaeological fragment from a civilization only just beginning to recognize itself - as historical. That is to say, there is something age-old in it. If Art Deco was modern, Arts and Crafts were resistance, postmodernism was emulation, Bohan's deep is outright Babylonian. Constructed from drawing, collage, and literary annotation, but also dust, debris, and outrageous felt - the work resembles a page recovered from the future. As if Bohan was digging, and pierced to another side of time.

See Also 
When ontology transpiers age. An instance of spectrality.