Also the paper has it – a surface that almost withdraws from visibility. 

Rahn’s "InterViews", a space of encounter. Here, New Orleans is lavender, in a weird tension with humidity, decay, memory circulating through the wallpaper, through the pages. The fleur-de-lis slips in quietly, while almost already fading.

Perhaps it's a form of listening. What is said is less important than how it lingers – dispersed, sedimented, carried across pages.

Publisher
Self-published.

See also
On materialities of independent publishing.